sWinging It – Week 6

sWinging It

Learnin’ to Lindy where everyone’s friendly

Week 6 (Lesson Week 3)

I’m sitting here typing to some Jazz on the headphones. It’s hard to type when you keep wanting to tap out a beat instead…

My left hip had a message for me around Thursday this week. Something along the lines of “You haven’t exercised properly in a long time and now you’re working me every day! I feel used and under-appreciated.” It wasn’t hurting, but I could tell I needed to treat it better.

Fortunately, the fear of missing out on a Tuesday night has now turned me into a very pro-active exerciser. I have been doing some hip strengthening and flexibility exercises since then and am certain I will keep it up. It did mean I had to lay off the dance practice a little bit, particularly anything with swivels etc.

I had a great recommendation from Paula (tattoo lady from week 1 – now named properly!) last week to just listen to lots of Jazz/Swing music so I did a lot of that (even more than usual). My knowledge of this music is poor (I hadn’t really got into it until I started Lindy) but here are 3 tracks that made not practicing very difficult

1) The Cats & The Fiddle – Gangbusters (doo dee ah doo dee ah… – not part of the song name but I just have to say it every time). The rhythm of this song just makes me want to get up and start some Solo Jazz. I’m loving it.

2) Alberta Hunter -The Darktown Strutters’ Ball (Amtrak Blues version – I’m not sure if there is another but I wouldn’t be surprised). An amazing song IMHO. Fortunately I can just focus on her voice whenever I get the urge to jump to my feet.

3) Anything by Count Basie (at least anything I’ve heard yet) but particularly Jumpin’ At The Woodside because I seem to have been conditioned to attempt The Stew (see week 2) whenever it comes on.

I’ll gratefully take any recommendations for other tracks/artists that could lead to compulsive dancing!

So I came to Tuesday without much practice in the week and I was eager to get to it.

Beginners Lindy was re-cap week for weeks 1 & 2. I had missed week 2, but through attending weeks 10-12 I had picked up the footwork covered in that lesson and RobotGate (see week 3) meant I had definitely put some practice into them. Paula and Andy (the teachers) somehow managed to get through 6 count and 8 count footwork (for several moves) and talk in good detail about hand placement and connection* in what felt like a very short 45 mins!

This was fortunate because I was pretty comfortable with the steps by now and was really trying to focus on where my hands were, how the connection felt and sending clear signals when leading (well trying to – it is hard). I was lucky because I was paired with ‘Man in shorts’ early and he immediately told me my hand was too high on his back (in a very nice way which makes me feel guilty for not knowing his name again). He showed me why by having me push on his back, which pitched him forward (making him bend over rather than move forward). I’m now wondering if I did that accidentally to anyone in the past few weeks – oops!

I was really pleased to be able to practice this connection rather than spending my time on the footwork, because it’s something that I can’t really do at home with my imaginary partner, Magneto**.

Solo Jazz was taught by Amy. She taught Solo Jazz in my 1st week (back when she didn’t have a name or a clear nationality). Whilst I am fitter than week 1 (please I must be) I was still feeling knackered after the session. Amy is a relentless Jazz machine. Oh, she will smile at you sweetly and be really friendly whilst she takes you up to, and then over, the edge. And you will enjoy every sweat covered minute – I certainly did!

There were lots of new steps, which was cool because my bank of Jazz moves is getting bigger and bigger. I also discovered the first Lindy/Jazz move that I don’t understand the name of (and can’t do – I really need to practice it). If anybody knows why an Applejack is called an Applejack I’d love to know. If they can help me to do it properly as well then they earn bonus gratitude!

Inspired by the beginners lesson, part of the Social Dancing for me was focusing on really trying to send clear signals and feeling signals back from my partner (the other part was focusing on having fun!) It didn’t happen very often but there were snippets. Tiny moments when it really felt like I wasn’t just doing some footwork and expecting the follow to guess what it was and copy, but was really feeling and, maybe even, leading my partner.

I want to work on this more because the feeling I got when I led some simple steps and could feel the response from the follow was great. This is clearly a part of how all the really cool looking advanced dancers seem to just know that their partner is throwing in some extra stuff and it just seems really natural.

We also got to do the Solo Jazz routine during the social again, which was cool! I certainly won’t complain if this happens again. As far as I’m aware, everyone that had attended the Solo Jazz (a lot this week!) and was still in the hall joined in. There is safety in numbers!

One thing I did notice during Social Dancing is that I have developed a little bit of an ‘advanced dancer intimidation’ mentality. If I ask one of the more advanced dancers to dance it’s always the same one or two and I’m not as relaxed when I’m doing it. So I’m setting myself a mission impossible type task of asking one or two of the other more advanced dancers next week.

I will also try and be more chilled and just dance (assuming they say yes). I will be reporting success (or failure 😦 ) next week.

Now I have put this in the public domain I’m going to have to do it. Better get my Ethan Hunt on.

Dan

P.S. I got a notebook for dancing. It’s great! I manically scribble down the Solo Jazz routines and anything I learnt or observed in the lessons and social. Now I don’t have to worry about forgetting things in between lessons. Notebooks are underrated.

*I’m probably going to give a really bad explanation here but my understanding of  the connection is basically kind of where the two partners are touching. When dancing close together (closed position) this would mean the hands they are holding in front of them and their other arm/back touching. The term seems to cover anything you can perceive about your partner and their intentions through your sense of touch e.g. the way their weight shifts, the pressure of their hands/arms etc. I really hope someone jumps in here and gives a better explanation!

** I named my imaginary follow after an X-men villain. I know that probably makes me very sad. It seemed a good idea at the time…

Who is Dan?

I’m Dan. I am a contractor currently working in Manchester. I liked watching Charleston (it’s so fun) so I looked for some dancing in Manchester and found Manchester Lindy. I seem to have fallen in love hard and fast. My wife doesn’t dance and my daughter tries to copy me (she’s 7), but can’t exactly practice with me. This, as you would have read above, has reduced me to appropriating imaginary follows. If you think I might have more fun dancing with a real person then please ask me. Look for the guy who is going bald and compensating for it with a short ginger and white beard.

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