sWinging It – Week 19

sWinging It

Learnin’ to Lindy where everyone’s friendly

 

Weeks 18 & 19 (New Term)

Both these weeks have been very similar to me in terms of what I’ve done, (Manchester and Mersey each week, with some added social fun at Ruby Blues in Liverpool last Wednesday) and how I’m feeling about my Lindy at the moment.

Overwhelmed and frustrated!

This isn’t because the routines we have covered so far are too difficult. They are tricky (especially the Manchester ones recently) but I’ve found that by the end of the lesson I have it to a place where, if I could practice more, it would be ok. It’s just because now there is a lot more going on.

Take Mike and Kate’s routine from week 19. In that one session concepts that were new to me were:

1) Varying energy in the rock step to signal/get a ‘quicker’ cross over.

2) Leading your follow in a direction where you aren’t strictly speaking going yourself (right towards the end I felt like I’m kind of bringing the follow towards whilst moving out of the way at the same time and I’ll be honest I’ve still not figured that bit out).

3) Breaking the comfortable beginner pattern of ‘rock step, triple, step-step, triple’. I’ve come to the conclusion now that this basically doesn’t exist anymore. It’s the correct step on the correct counts to make sure you (and your weight) are in the correct place and you are moving nicely with the music.

4) Moving your connected hands in time with the music for certain steps (this was right at the end).

And that’s on top of actually learning the routine. Oh and there is most likely more stuff that was new that I’ve just forgotten about before typing this up.

There is SO much to learn. SO much to get better at. And I can’t learn it all.

This is where the feelings are coming from. Overwhelmed (and a little excited) by how much there is to learn and frustrated that I can’t do it. I’m a quick learner (I like to think) and when I don’t get something I will go at it again and again until it works. I can’t do that here.

It’s hard to practice these routines during social dancing when you are navigating the floor and you actually would like to fit what you are doing to the song (still working on that…). It’s impossible to practice completely at home unless you have a partner because knowing if you got something right relies so heavily on seeing your partner move and feeling the connection, especially when you are trying for compression and stretch.

I almost gave up Solo Jazz for a while to get a bit more social dancing action in the hopes of helping consolidate these things. Thankfully I realised that was crazy. Take the one thing I am getting good at and drop it to feel more frustrated about the other stuff I want to work on… Not my best plan.

I’m sticking with the Solo Jazz. In fact I’m pouring more energy into it at home again. I need to balance out the frustration. Fortunately, the Manchester p__p (censored) walk routine this week was a lot of fun and quite rejuvenating after a really tricky class. On the classes front I’ll just make sure I get a few things out of it to think about and work on. The reality is if I get one thing out of a class I’m making progress. I like to really learn everything and consolidate stuff so I feel like I know it (spot the internally competitive one…) but I need to realise this just ain’t happenin’.

So more Jazz and more patience.

Let’s see what the next few weeks bring.

Dan

Advertisements

sWinging It – Week 9

sWinging It

Learnin’ to Lindy where everyone’s friendly

 

Week 9 (Lesson Week 6 Holiday Week)

As mentioned last week I was on holiday and so missed lessons this week. For those of you interested, my withdrawal symptoms included an increased need to listen to swing music*, spare minutes spent reading internet articles about dancing (covered more below) and a small bit of solo jazz to some buskers in Rome (in my defence they did swing).

Also worth noting this week is that I discovered the identity of ‘man in shorts’ through the power of social media. Not all of social media is a force for good but the Manchester Lindy Facebook group clearly is. ‘Man in shorts’ is called Chris. It’s good I discovered this before winter set in as I can’t imagine Chris needing shorts much longer.

So without much opportunity to practice, but plenty of thinking time whilst squashed on Rome’s buses, these are the things I have been wondering about before, and during, my holiday. I don’t blog about them normally because my random thoughts are nowhere near as fun as what happens on a Tuesday evening. There are two running themes to these questions.

1) They have a lot to do with interpreting music (or over-thinking it, a speciality of mine)

2) I am nowhere near ready to actually start worrying about them during lessons/social dancing** (which is why I torture myself with it in my spare time)

Why do Jazz steps start on the 8 count?

OK there are plenty that start on the 1 but I’ve also seen enough that start on 8. I did do some looking into this using the magic of the internet but couldn’t get a satisfactory explanation. The best I found was that for those moves, the second step contrasts/compliments the first beat. I don’t have a clue if this is right. It bothers me.

What on earth is a break / how do I know it is a break?

I will hold my hand up and say there are some good articles on this which talk to musical structure and have examples to listen to, but I haven’t had time yet to really focus on them. I have seen a break described as when all of the instruments stop but also as when most of the instruments stop. I’m convinced that breaks exist, but not very clear on how to accurately recognise them. At least I no longer think it’s where you stop in the middle of a really fast song and hyperventilate.

I have been listening out for breaks and think I hear them sometimes. I do have trouble in tracks where one instrument stops and another starts. Is this a break or something else? Can I make up a name for it in case I accidentally hit it? I definitely hit that swap…

I can picture a moment in my future when I hit what I think is a break but clearly isn’t. If/when that happens I will have to tell myself to read this post again. Right now I can’t imagine having any brain capacity left over from all the other stuff I need to think about during a dance to actually hit a break, real or imagined.

Musicality

Oh yes. That word. Come on. From the Oxford Dictionary no less:

1) Musical talent or sensitivity:

her beautiful, rich tone and innate musicality

his compositions reveal an exceptional degree of innate musicality

2) The quality of having a pleasant sound; melodiousness:

the natural musicality of the language

Glad that one was cleared up.

This is the most ambiguous but often used term I have come across. People seem to use it to express an awful lot of things and that bothers me*** because it leaves me open to misconceptions which I am sure I would swallow. It would not surprise me to hear someone mention the word ‘musicality’ and ‘you can’t get pregnant during your first social dance’ in the same sentence. I would probably believe it and spend the rest of the evening wondering what kind of social dancing they do.

In all seriousness, I would like to see at least some kind of list of things that express/show musicality. I guess hitting a break would be one. Maybe by the time I’m ready to start actually demonstrating musicality I will be a bit clearer on what exactly it is.

I have just read this blog post back to myself and think I need to add ‘ranting about Lindy concepts which frighten and confuse me’ to my list of withdrawal symptoms. I need my next fix. Tuesday is only one sleep away. I can make it.

 Dan

*Flights go really quickly when accompanied by The Boilermaker Jazz Band, Artie Shaw, Duke Ellington and Glenn Crytzer And His Syncopators.

** This is actually a blessing. I am actively trying to have fewer things to worry about during social dancing in the hopes I might actually relax a little bit

*** As a (long ago) physicist I confess that I probably have a hang-up about precise definitions and that, in more artistic areas, that isn’t always possible because it is very subjective. It’s like being cool. Everyone can accurately tell me I’m not cool. Nobody can tell me what I need to do to be cool. Except my daughter who says I need sunglasses like a spy, a leather jacket and some black trousers…

Dan clearly needs help, what can I do?

The doctor he found on the internet has prescribed dance related treatment. Dance with him. If you spot a break you can punch him until he starts to recognise them. Then he will be known throughout the world as ‘that guy who hits all the breaks by cringing’. A small price to pay to hit all them tasty  breaks.

sWinging It – Week 6

sWinging It

Learnin’ to Lindy where everyone’s friendly

Week 6 (Lesson Week 3)

I’m sitting here typing to some Jazz on the headphones. It’s hard to type when you keep wanting to tap out a beat instead…

My left hip had a message for me around Thursday this week. Something along the lines of “You haven’t exercised properly in a long time and now you’re working me every day! I feel used and under-appreciated.” It wasn’t hurting, but I could tell I needed to treat it better.

Fortunately, the fear of missing out on a Tuesday night has now turned me into a very pro-active exerciser. I have been doing some hip strengthening and flexibility exercises since then and am certain I will keep it up. It did mean I had to lay off the dance practice a little bit, particularly anything with swivels etc.

I had a great recommendation from Paula (tattoo lady from week 1 – now named properly!) last week to just listen to lots of Jazz/Swing music so I did a lot of that (even more than usual). My knowledge of this music is poor (I hadn’t really got into it until I started Lindy) but here are 3 tracks that made not practicing very difficult

1) The Cats & The Fiddle – Gangbusters (doo dee ah doo dee ah… – not part of the song name but I just have to say it every time). The rhythm of this song just makes me want to get up and start some Solo Jazz. I’m loving it.

2) Alberta Hunter -The Darktown Strutters’ Ball (Amtrak Blues version – I’m not sure if there is another but I wouldn’t be surprised). An amazing song IMHO. Fortunately I can just focus on her voice whenever I get the urge to jump to my feet.

3) Anything by Count Basie (at least anything I’ve heard yet) but particularly Jumpin’ At The Woodside because I seem to have been conditioned to attempt The Stew (see week 2) whenever it comes on.

I’ll gratefully take any recommendations for other tracks/artists that could lead to compulsive dancing!

So I came to Tuesday without much practice in the week and I was eager to get to it.

Beginners Lindy was re-cap week for weeks 1 & 2. I had missed week 2, but through attending weeks 10-12 I had picked up the footwork covered in that lesson and RobotGate (see week 3) meant I had definitely put some practice into them. Paula and Andy (the teachers) somehow managed to get through 6 count and 8 count footwork (for several moves) and talk in good detail about hand placement and connection* in what felt like a very short 45 mins!

This was fortunate because I was pretty comfortable with the steps by now and was really trying to focus on where my hands were, how the connection felt and sending clear signals when leading (well trying to – it is hard). I was lucky because I was paired with ‘Man in shorts’ early and he immediately told me my hand was too high on his back (in a very nice way which makes me feel guilty for not knowing his name again). He showed me why by having me push on his back, which pitched him forward (making him bend over rather than move forward). I’m now wondering if I did that accidentally to anyone in the past few weeks – oops!

I was really pleased to be able to practice this connection rather than spending my time on the footwork, because it’s something that I can’t really do at home with my imaginary partner, Magneto**.

Solo Jazz was taught by Amy. She taught Solo Jazz in my 1st week (back when she didn’t have a name or a clear nationality). Whilst I am fitter than week 1 (please I must be) I was still feeling knackered after the session. Amy is a relentless Jazz machine. Oh, she will smile at you sweetly and be really friendly whilst she takes you up to, and then over, the edge. And you will enjoy every sweat covered minute – I certainly did!

There were lots of new steps, which was cool because my bank of Jazz moves is getting bigger and bigger. I also discovered the first Lindy/Jazz move that I don’t understand the name of (and can’t do – I really need to practice it). If anybody knows why an Applejack is called an Applejack I’d love to know. If they can help me to do it properly as well then they earn bonus gratitude!

Inspired by the beginners lesson, part of the Social Dancing for me was focusing on really trying to send clear signals and feeling signals back from my partner (the other part was focusing on having fun!) It didn’t happen very often but there were snippets. Tiny moments when it really felt like I wasn’t just doing some footwork and expecting the follow to guess what it was and copy, but was really feeling and, maybe even, leading my partner.

I want to work on this more because the feeling I got when I led some simple steps and could feel the response from the follow was great. This is clearly a part of how all the really cool looking advanced dancers seem to just know that their partner is throwing in some extra stuff and it just seems really natural.

We also got to do the Solo Jazz routine during the social again, which was cool! I certainly won’t complain if this happens again. As far as I’m aware, everyone that had attended the Solo Jazz (a lot this week!) and was still in the hall joined in. There is safety in numbers!

One thing I did notice during Social Dancing is that I have developed a little bit of an ‘advanced dancer intimidation’ mentality. If I ask one of the more advanced dancers to dance it’s always the same one or two and I’m not as relaxed when I’m doing it. So I’m setting myself a mission impossible type task of asking one or two of the other more advanced dancers next week.

I will also try and be more chilled and just dance (assuming they say yes). I will be reporting success (or failure 😦 ) next week.

Now I have put this in the public domain I’m going to have to do it. Better get my Ethan Hunt on.

Dan

P.S. I got a notebook for dancing. It’s great! I manically scribble down the Solo Jazz routines and anything I learnt or observed in the lessons and social. Now I don’t have to worry about forgetting things in between lessons. Notebooks are underrated.

*I’m probably going to give a really bad explanation here but my understanding of  the connection is basically kind of where the two partners are touching. When dancing close together (closed position) this would mean the hands they are holding in front of them and their other arm/back touching. The term seems to cover anything you can perceive about your partner and their intentions through your sense of touch e.g. the way their weight shifts, the pressure of their hands/arms etc. I really hope someone jumps in here and gives a better explanation!

** I named my imaginary follow after an X-men villain. I know that probably makes me very sad. It seemed a good idea at the time…

Who is Dan?

I’m Dan. I am a contractor currently working in Manchester. I liked watching Charleston (it’s so fun) so I looked for some dancing in Manchester and found Manchester Lindy. I seem to have fallen in love hard and fast. My wife doesn’t dance and my daughter tries to copy me (she’s 7), but can’t exactly practice with me. This, as you would have read above, has reduced me to appropriating imaginary follows. If you think I might have more fun dancing with a real person then please ask me. Look for the guy who is going bald and compensating for it with a short ginger and white beard.

sWinging It – Week 5

sWinging It

Learnin’ to Lindy where everyone’s friendly

Week 5

I’ve fallen hard for Lindy Hop. I know this because a few things happened this week

1) I keep opting for the Paul Anka version of Smells Like Teen Spirit because I can practice to it.

2) I spent an inordinate amount of time figuring out how to meet my Mother (who I haven’t seen in a while and was in Manchester for just one evening) without missing the Tuesday lessons.

3) My 7 yr old daughter spontaneously said ‘One.  Two.  Three.  Four.  Five.  Six.  Se-ven.  Eight.’ in that way*.

So I’m a disloyal fan and a bad son but a very proud dad.

I did a lot in week four that wasn’t mentioned / was glossed over in last week’s post. I will be talking about that a little bit. I justify writing about this now by the fact that I am still digesting and using this in week 5 (and most definitely beyond). If you aren’t happy with that you are going to have to pretend I’m Dr Who or something.

Whilst looking for internet sources of support I found (following a link on this site) Swungover and, more useful to me at the moment, its sister site Swing101 (for beginners). My mind has been blown into tiny little pieces. There is a video tutorial on advanced walking! Enough said.

I could be daunted by how much stuff there is to consider in just doing some Solo Jazz basics but fortunately, the videos are very well done and the concepts are well explained (at least I got them). Also, Bobby White (the blogger) clearly has a sense of fun which immediately put me at ease. So throughout week 4 and week 5 I have been practicing some of these concepts as well as what I remember of the Solo Jazz  and the Lindy moves from lessons.

So thank you Bobby White and thank you to whoever put the link on the Manchester Lindy site (Editors note: that’ll be me! Manchester Lindy happily points at a range of online resources via our links page – we are just a tiny part of a global movement and connecting to our local and International community is important to us. Don’t forget to check out our Facebook Discussion Group, our Twitter and our Facebook Fan Page too! Paula)

The thing I’m finding is that the practice doesn’t feel like practice. I’m enjoying it so much that I just want to do it whenever I can. This seems to be ensuring I have a good attitude (for me) towards progress in getting any better. I’m sure that the time I am putting into practicing steps, posture etc. will turn out with me improving but if practicing is this much fun then I’m fine with needing a lot of practice.

I can’t talk about the beginners lesson or the Solo Jazz because I missed them (I cried inside).  I made the social dancing – I wasn’t going to miss everything! Another night of dancing fun. The lesson had covered some 8 count moves which I fortunately had some experience with because of the lessons I had attended in weeks 1-3 (my weeks 1-3, lesson weeks 10-12. This is going to get confusing…).

So I practiced these with some of the other beginners. I asked a lot of people to dance again and when I wasn’t dancing with someone  I was either getting water, doing a few Solo Jazz moves beside the dance floor, or chatting. Another really enjoyable night.

I’m still learning loads of little bits at the social which I’m finding helpful. Tonight was no exception. I got asked to dance during a song that felt a bit too quick for me. A couple of weeks ago I would have probably asked to wait for a slower song. I’m finding I am much more inclined to just go for it – there’s only so many songs before 10.45pm and I’m not inclined to miss many. Plus it’s nice to be asked to dance so I’m not turning anyone down! The very kind follow had two tips. Smaller steps and/or do some Charleston. We did both – thanks!

I’m still enjoying myself. I’m still practicing. I’m still walking into work with swing music on. I’m still practising ‘walking’ and sometimes even ‘advanced walking’ on the way to work. I’m still feeling cool**.

 

Dan

*If you haven’t heard people count like that you probably will soon. Just count out the beats and drag out the seven. To me it feels like I’m saying 7 & 8 like I would dance a triple-step. Am I the only one thinking this (or do my triple-steps really need some work…)?

**I said feeling cool. I gave up on looking cool a long time ago. If this makes no sense then you didn’t go look at the video tutorial on walking.

Who is this guy?

Once a week Dan travels from his home in Bedfordshire to work as an IT contractor in wonderful Manchester. He has a habit of practising footwork on the train and he isn’t sure if this scares or impresses people (OK he knows but won’t admit it). If you want to help Dan to actually impress people then look for the balding guy with the ginger (and white) beard and ask him to dance. He won’t impress you but he will be very grateful.

 

 

sWinging It – Week 4

sWinging It

Learnin’ to Lindy where everyone’s friendly

Week 4

Muscle memory. I’ve decided that is what I need. That and a bit of an attitude change (i.e. a bit of a more healthy outlook). If you are wondering why then please read week 3 for the context of this week’s activities pre-Tuesday.

Some (most?) people would be forgetting about having a rough 5 mins and move on. I know myself, however. I understood that being shy and out of my comfort zone already, I needed a bit of a boost to make sure I felt better about being at the social dancing next week.

So back to muscle memory. I decided I needed to be able to dance without having to think ‘rock-step triple-step…’ in my head. So I stuck some music on my phone and began dancing basic steps to it.

Everywhere.

In lifts: Rock-step, triple-step, step-step, triple-step.

At pedestrian crossings: Rock step, triple-step, strange-look, triple-step.

Cooking: Rock-step, triple-step, chop-veg, triple-step.

I wouldn’t recommend the last one. I almost cut myself several times and it took ages to cook dinner.

You might also have noticed a contradiction about having absolutely no problem doing these things in public, whilst worrying about it with people who are (or have probably been) in the same boat on a Tuesday evening. I don’t understand it either but I have learnt to accept that part of me…

Regards the attitude change I did a bit of internet reading. What I read basically reinforced that a lot of beginners are nervous about asking for dances and how they are on the dance floor . This had already been mentioned by teachers during the lessons by the way. Sometimes you just need to hear something over and over again (or at least I do!).

So lots of preparation but none of it hard work. You know you are enjoying the practice when you want more vegetables with your meal.

One last thing I did before Tuesday evening was buy some shoes. This was somewhat by accident but I was happening past M&S outlet on Tuesday after work and took a chance walking in. I found some leather soled shoes for a good price (leather soles are more slippery so make twists etc. easier when dancing – I read that on a blog post here!). I took them home and tried them. It felt great. I said to myself I’d wear them in for a couple of weeks then take them with me. They were so much better than my other shoes that I took them with me that evening.

So how was Tuesday? Great – best evening yet! It was beginners week 1 so we were covering 6 count steps (6 count is rock-step, triple-step, triple-step – I had been practicing that, too). It felt good to be covering this again after some practice and I noticed my efforts had paid off. My brain was able to focus on all the other pieces rather than exactly what my feet were doing, which felt great.

Solo Jazz was a really fun Charleston routine, which everyone then performed later during the social. I had great fun doing it and haven’t been able to get ‘put a lid on it’ (the song we did it to) out of my head since.

And the social dancing went really well. Several things came together to make this particularly enjoyable:

1) I asked lots of people to dance. These were mainly beginners who were more than happy to be asked (unless I scared them into it..). This felt good in a couple of ways – I got practice asking people to dance and we both got practice doing some basic 6 count moves.

2) At one point the organisers got a few people on the dance floor. They did a bit of dancing together, then each one had to find a new partner. This went on, getting almost everyone on the dance floor and dancing with lots of different people. I don’t know what this type of thing is called but it’s such a good idea it must have a name (Editors note: A snowball! These are great fun and a good way to get the shyest dancers up on the floor – we must do them more often).

3) I wasn’t so afraid of getting things wrong. Having the basic rhythm of the steps out of my head freed me up (emotionally and mentally) to try things without worrying about mistakes. I did nearly have a backwards attitude step when I was leading ‘Man in shorts’ (from week 2) and apologised on getting a bit wrong. His response was “Don’t apologise – it’s dancing!”. Thanks for that – it’s my new motto!!

Some other highlights include learning from ‘Patient lady’ to step forward on the ‘step-step’ because, as she said, “it looks cool”; and watching some of the more experienced dancers going for it with trying moves and making mistakes  – but still having a good time.

I don’t think the evening could have gone better.

Well my shoes could have been worn in first.

Every step is a painful reminder of Tuesday evening.

Every step makes me smile.

 

Dan

Who is this guy?

I studied Physics and ended up in Financial Services (a fairly typical career path) with a wife and a 7 year old daughter. We have two cats at home and I am convinced they look down on my dancing (they certainly move a lot smoother than I do). If you want to help me to dance better than my cats then ask me to dance on a Tuesday evening. I’m the guy with the white and ginger beard.

sWinging It – Week 3

sWinging It

Learnin’ to Lindy where everyone’s friendly

Week 3

Towel. Check. Flannel. Check. Soap. Check. Deodorant. Check. Spare top. Check. I’m ready to go Lindy Hop.

I am determined to do social dancing this week (hence the bag packed with stuff). I’m getting a lot of practice in running through the Solo Jazz routines but I am forgetting a lot of the partner dancing because of my inability to practice with someone outside of lessons. I don’t want to give up the Solo Jazz as it’s great fun so I just need to be clean and presentable afterwards in order to hit the dance floor without gassing everyone.

My week 3 is the course’s week 12 (the last week). This meant a very fast paced lesson, re-capping a lot of moves that I hadn’t done before. Again, there were a lot of beginners there and everyone was having fun; so if anyone is reading this and thinking of trying it out, I wouldn’t be put off starting any week – just turn up and enjoy yourself. That said, I knew I had no chance of retaining all of the information speeding into my brain so I decided to focus my feeble memory on remembering the names of the moves – I can always ask about them later.

Ben was teaching. I think he had already taught at least one, possibly two, of the weeks previously so I deserve no medals for remembering that name, especially since in my head I still sometimes refer to him as ‘moustache envy’. He has a great swirly Victorian villain moustache. The envy is because the hair above my lip will never grow that long and I have to satisfy myself with a short beard to cover up my weak chin…

The other teacher’s name I predictably don’t remember (Editors note: Megan). I think of her as ‘scary teacher with longish blond hair ‘ I’m paraphrasing but when talking about swing-outs* in the level 2 class she mentioned that she could just say “Drop and give me 10 swing-outs!” A sneak peek into next week’s Solo Jazz class reveals that she isn’t at all scary (although she still has that name in my head).

Again I had great fun and could feel myself getting better at the movements.

Solo Jazz was great. Taina was teaching and it doesn’t take long to see she’s clearly an awesome dancer and teacher. There were a lot of new moves in this routine and I found the sliding moves challenging. There was one at the start of the routine that looked simple (I found it very tricky) and another Taina referred to as ‘bracking’ – a word she confessed was her own, but which made absolute sense when she explained it to me. I asked for some advice on that and she helped out a bit, also pointing me to some YouTube videos she has online (bonus!). This routine was not as tiring as the others but definitely challenging and just as enjoyable. I discovered that raising one foot slightly whilst lowering and moving the other is not as easy as it sounds (at least for me 😉 ).

A quick wash and change of clothes and I’m in the social dancing room! Now I’m introverted (especially so when I’m with new people and doing something I’m not 100% comfortable with), so I knew this was going to be a bit of a challenge. I sat in the corner giving off a very nervous vibe. One lady danced with me a couple of times. I can’t remember your name – I’m really sorry because we actually talked on the way back afterwards and I did ask so I have no excuses. You are currently ‘artist lady’. She confessed that, whilst she had done a lot of other dancing (latin, I think) it had been a while since she had done any Lindy. We fumbled through some basic moves and I got to do some Charleston with her which was fun. My confession – I had, about a year ago, taught myself that Charleston just because I love that move. I definitely did not pick it up that quickly from the lesson (I wish I had).

The other dance I remember for all the wrong reasons. A very kind, clearly competent, follow saw me looking nervous and asked me if I wanted a dance (she is called ‘patient, nice, short lady with short hair’, or ‘patient lady’ for short). The music was too fast so we postponed. I found her again during a slower song and, completely nerve-wracked, all I could do was go backwards and forwards in 8 count steps. My brain was playing ‘rock-step triple-step step-step triple-step’ over and over in a kind of panicked tone. Patient lady was great about it. She thanked me for the dance. I nervously thanked her and secretly wondered if I was a robot.

So a great evening with a dodgy dance. It should be put into perspective (and has been now) but at the time, as some humans are prone to do, I let that and my general nervousness overshadow how I felt about the evening.

Let’s be clear. Everyone I have met in these 3 lessons has been super-nice. All the teachers are patient and fun and I am loving learning the steps in both lessons. Everyone in the social dancing was super-nice. The people I danced with were super-nice (thank you!). The problem was how I felt and what I was thinking to myself.

I knew I was going back next week but I didn’t want to make myself feel like that again. Time to take some action…

 

Dan

* a swing out is a move where the lead ‘swings’ their partner out from closed (side by side ish) to open (facing each other). So far I haven’t encountered a lindy move that doesn’t have a Ronseal name.

 

Who is this guy?

Dan was a simple IT contractor with a wife and child before robots from another dimension kidnapped him for experiments in Social Dancing. He is currently undergoing rehabilitation at Manchester Lindy. If you want to help Dan to recover then look for the balding ginger bloke and ask him to dance. He has been programmed to say yes.

sWinging It – Week 2

sWinging It

Learnin’ to Lindy where everyone’s friendly

Week 2

Must get fitter. I resolve to use the stairs when going to my flat (it’s on the 6th floor) and to practice the Solo Jazz routine every day. My wife has a Spotify account so getting hold of the track from last week’s lesson was easy. I end up doing the Jazz routine morning and evening because it’s really fun. I’m not sure my resolution to use the stairs makes it through the week.

The beginners’ lesson was, yet again, very enjoyable. I recognise a couple of faces. ‘Man in shorts who’s good and clearly helping the teachers by being a follow/lead was there again’ I need to find out his name, or at least start thinking of him as just ‘man in shorts’. There also seems to be a lot of new people (and some from last week are missing). I completely fail to retain anybody’s name again but my basic steps seem to be getting better. I can definitely think rock-step, triple-step, step-step, triple-step to a beat. I’m also executing some of the moves ok, although by the end of the lesson I’ve forgotten what the start of the routine is, maybe I should be practicing memory exercises as well as my dancing… I’m still enjoying myself and that’s the main thing.

Solo Jazz was run by Leanne (I remembered! – although I probably spelt it wrong). It was a routine called The Stew. Now, before the lesson I thought I might try some social dancing after this, because I did actually feel fitter this week. I did not do social dancing. By the end of the session we were moving at what felt like 300 miles an hour. By this point I’m not even sure I’m on time to the music (probably not!). I’m tired and my brain is saying just… keep… kicking… I was, however smiling (in between jagged breaths).

One great thing about the Solo Jazz session (other than The Stew, which is definitely great) was getting run through ‘the festival toilet pose’ to make sure I’m standing properly. I won’t go through it here – Leanne gives a very good explanation. Suffice to say I can easily remember it and I am now trying to use the festival toilet pose when practicing.

I went home after Solo Jazz. I was tired, but could have done the social dancing. I was also, however, covered in sweat and didn’t want to inflict that on anyone.

 

Dan

 

Who is this guy?

Dan has been learning Lindy Hop from scratch with the fine people at Manchester Lindy and has recently started talking about himself in the third person. When Dan is not dancing he is working in Manchester as an IT contractor or at home with his wife and child in the South of England.

If you are at the Freemason’s Hall on Tuesday and are brave or foolish enough to fancy a dance with Dan, look for the balding man with the ginger and white beard (or the only one that will admit it). Dan does not know how to say no so you are guaranteed success!